Composing Orchestral Music In Fl Studio Tips & Tricks
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Reviews Overview Orchestral Suite gives you access to over 60 classical instruments in a single convenient and affordable package. Take complete control of your own orchestra including strings, brass, woodwinds, percussion instruments, a full choir, and many complementary instruments such as a beautiful cathedral organ, harpsichord, celesta, classical guitar and harp. Select from ensembles or solo instruments, choose different playing styles, and further tune your suite with per-instrument controls for realistic and expressive performances. Every sound in Orchestral Suite was meticulously recorded and edited to ensure a deep sense of natural realism and playability. Recording sessions were carried out at the highest quality possible, carefully planned to deliver a full range and natural color, capturing a multitude of articulations, playing styles and alternates.
I love doing the cinematic stuff and I have some things to share with you if you do not mind! I use Cubase 6. I adore all things Spectrasonics and I bend, cut and mutilate the loops it comes with.
Spitfire Audio has to be King especially HZ Percussion and with these you can get the expensive sound. I render all stems individual tracks so I can compress and add reverb on every channel. I love percussion and poly rhythmic tracks and this normally adds up to 20 – 30 tracks all by themselves. I also use the internal Steinberg Compressor for tracks.
Mastering is done in Wavelab 7 using Waves plugins – EQ and finaloutput using L1 Ultramaximiser this has to be the greatest thing since sliced Roast Beef. Enjoy doing cinematic tracks as I do although competition here is hot from Martijn and Jeff – they are Kings! I can see that scenario in my case at least XD November 24, , 7: I have the universally celebrated LASS but I have never got the violins to sound sweet enough, so this has been my single biggest regret purchase ever How do I compose?
Then I have a sound palette to work with and develop. But sometimes I just sit down and bang out a melody, or a riff and develop it just on the fly, by instinct. I play everything in on an M-Audio keyboard, even though my playing is dreadful- so there is a lot of midi wrangling to do to get the phrases sounding right. I usually bounce down all tracks to audio and then start the mixing process, even though I may have done a little mixing in the original project file.
To me this, makes the mixing process easier, especially if there is already lots of midi automation going on. It can just end up very messy with squiggly lines all over the d. He talks about electronic music dance but you can apply a lot, if not all, to orchestral too. I keep compression to a minimum and really only use it to give cohesion to the overall sound. So how do you go about it Cyberwave?
Beside giving it a read, I strongly suggest you to listen to well orchestrated music and try to identify what instruments are being used where and in what role, and in what combinations e. Hope that helped. For all we know it might have took him a month to write not likely. What we see in the video is just him recording it.
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VIDEO: Using FL Studio for Orchestral Music | VI-CONTROL
Compiling a general survey of orchestral sample libraries available Strings Pro is the new gold standard for contemporary studio strings. Enter your email in the box above to receive the renowned FREE Hardstyle Sample Pack (watch the video). The download link will be send to you after you. Explore our Orchestral FL Studio templates. Grab the best projects from our community of professional producers. Best quality.